Categories
Historic Sites

An Iron Baron’s West Philadelphia Castle

Nathaniel Burt wrote of Philadelphia iron-making entrepreneurs such as the Whartons, Brookes, Rutters and Potts: “Along with the New York patroon and the New England shipowner, he does provide something of a landowning equivalent to offset the more purely trading wealth of the region’s old families.” 1 Thus the Whartons became the lords of Batsto, the Brookes’ of Birdsboro, and the Potts’ of Potttown and Pottsville.

The house at 3905 Spruce Street, built by the iron baron Joseph Potts in 1876, befits the residence of businessmen who helped make Pennsylvania a center of the American industrial revolution. As landowners and founders of the iron-mill towns of Pottstown and Pottsville, they also possessed something of a feudal mystique.

When Old Philadelphia families started crossing the Schuylkill into West Philadelphia in the years following the Civil War, the social rule of thumb of living between Market and Pine continued, with families clustering around the newly-moved University of Pennsylvania. 3905 Spruce sits comfortably within these prescribed boundaries, although in the 1870s West Philadelphia was still largely rural and undeveloped.

3905 Spruce is built in a Ruskinian Gothic style that mirrors Penn’s nearby College Hall. The mansion, designed by the Wilson brothers, on one hand possesses elements of a feudal castle with its pointed windows, chiseled chimneys, and slate roof. At the same time, the house was a showcase for the products of the workshop of the world, with its cast-iron roof decorations and conservatory and polychrome exterior brick walls. The interiors were a tour-de-force of the Philadelphia woodcarvers art, boasting a massive three-level carved oak central staircase, pocket doors of birds-eye maple, and fireplaces supported by snarling griffins and bordered with tiles.

Potts’ son William graduated from Penn in 1876 – the year his father’s house was completed, and subsequently became a very generous financial supporter of the school. By 1917, the neighborhood had become less fashionable, and Penn was swallowing up many surrounding properties around the Potts castle. That year, William Potts donated the family mansion to Penn and decamped, like many of his social compatriots, to the Main Line suburbs.2 The building was used subsequently housed Penn’s International House and later the WXPN radio. During those years, the house suffered rough treatment and deferred maintenance.

But at least the Potts mansion was left standing. Most of the compounds of the Philadelphia aristocracy belonging to the Drexels, Clarks, Swains, and Sinnotts have been replaced by denser row house development or razed by the University of Pennsylvania. Remnants of this enclave of industrial wealth, such as St. Mary’s Episcopal Church and two Drexel mansions currently used as fraternity houses, now sit high and dry in a desert of concrete high rises and brick plazas known as the “Superblock.”

Today, the weary Potts mansion stands stripped of its ornamental features such as the domed roof on the cost iron conservatory, the glass-enclosed porch facing Spruce Street, and its port-cochere. Its brick walls and slate walls are smeared with grime, and the chimneys lean precariously. Nonetheless, it was benevolent neglect that allowed much of the house’s extraordinary interior detailing to survive intact. The house built by Joseph Potts is one of the few survivors of the Golden Age of West Philadelphia. Its association with one of the regions most distinguished industrial families, and the high quality of construction and craftsmanship makes Potts mansion at 3905 Spruce makes one of the most significant and underappreciated historical and architectural jewels of University City.

References:

1 Nathaniel, Burt The Perennial Philadelphians (University of Pennsylvania Press), 1999. 180.

2 http://www.archives.upenn.edu/histy/features/3905spruce/3905spruce1.html

    Categories
    Public Services

    Photography: A Mini-History


     

    1839 was an important year in the history of record-keeping. It was in this year that the first practical form of photography, the Daguerreotype, was invented. Without this invention almost 170 years ago, PhillyHistory.org would not have been possible. Most of the images on this website come from one of three photographic types: the negative, the print, and the digital photograph. The majority of these, however, come from the incredibly large collection of negatives in the city’s possession.

    Not all photographic negatives, however, were created the same. Over the short history of this medium, there have many different types of both negatives and photographs, especially in the first few decades after 1839 when photography was in its infancy. The first of these forms that could be used in a practical manner, the Daguerreotype, was introduced by Louis Jacques Mande Daguerre.

    Although Daguerre’s was the first practical method of photography developed, there were successful earlier attempts. For example, in 1826 Nicephore Niepce invented what he called a “heliograph.” He took a photograph of his courtyard by exposing a sheet of pewter covered in light sensitive materials, using sunlight as his only light source. However, this process took over 8 hours to complete, making it much less practical to use as a method of record keeping than the much faster Daguerre method. (To read more about Niepce’s first photograph, see the Nicephore Niepce website link in the references section of this blog).

    Like Niepce’s process, the daguerreotype also consisted of an image created on a sheet of metal. In this case the medium was a copper plate coated with silver iodide. Unlike Niepce’s process, however, the photograph created was a direct positive image. These photos were the predecessors of the types of images added to PhillyHistory today.

    The first negative/positive process was patented the same year as the daguerreotype by William Talbot. This process, or the Calbotype process, created a paper negative which could then produce a positive image (or multiple positive images) by placing the negative in direct contact with light-sensitive paper and exposing the paper to daylight. Slightly less than 20 years later, in 1855, glass negatives were introduced to the United States. These glass negatives were preferable to paper negatives as the image produced was of a much better quality. It was only with the introduction of the glass negative that the negative/positive process of making photographs began to replace direct positive processes such as the daguerreotype.

    The earliest glass plate negatives were “wet plate” negatives. They were called “wet plate” because this process required the photographer to coat a plate of glass with light sensitive materials, expose, and develop the photograph all before the coating dried. There was continued experimentation using various materials for emulsions (the emulsion is the layer of light sensitive material that is coated onto a base, for example glass, in which an image is formed when it is exposed to light). Some of the types of emulsions that were tried included albumen (a combination of sodium or ammonium chloride mixed with egg whites) and gelatin.

    In the Philadelphia City Archives, the earliest forms of negative we scan for the PhillyHistory website are glass plate negatives. The above photograph, taken in 1894, is an image from one of these glass plate negatives. However, as is evidenced by the cracks visible in some of the other photographs on PhillyHistory, the glass negatives were found to be problematic, mainly because they are so incredibly fragile.

    To help alleviate this problem, in 1887 George Eastman introduced cellulose nitrate film. This form of negative consisted of a nitrocellulose base and a gelatin emulsion. It was in use between 1913 and 1950. At the time, this was seen as an improvement over the glass negative, as it was much less fragile than its glass counterparts. However, today archivists have found this negative to be itself fragile as it ages. The nitrocellulose base is notoriously unstable as well as flammable, making it important to transfer the images on these to another medium (as, for example, scanning would accomplish) in order to preserve the information they contain.


     

    Between 1937 and 1956 another film created by the Kodak company, safety film, was widely used. This film was made of cellulose diacetate and was found to be much less of a fire hazard. However, this film too has been found to be somewhat unstable. Over time, the cellulose diacetate shrinks as it deteriorates, causing wrinkles in the layer of emulsion, which does not shrink at the same rate. The photograph to the left is an example of this type of deterioration. In1947, Kodak introduced another type of safety film which is still in use today, which is made of a more stable material, cellulose triacetate.

    References:

    Categories
    Urban Planning

    The Broad Street Subway


       
    Providing around 1 million rides a day, SEPTA is an important resource in the city of Philadelphia. The man pictured in one of the accompanying photos was just one of the many involved in building a part of that transportation system, the Broad Street Subway. The photograph was taken December 14, 1925 as the unidentified man worked on the subway at Broad and Master Streets.


     
    Work began on the line in 1924. In the four years it took to build the initial section of the subway, enough dirt was excavated to theoretically create, as another photo (also pictured) illustrated, a column 220 feet square and 2280 feet high. The Broad Street line eventually opened for service on September 1, 1928. On this new subway, riders could travel between City Hall and Olney Avenue. Round trip fare, at this time, was only 15 cents.


    Several years later, service on the Broad Street Subway was extended farther south. By 1930, riders could travel as far south as South Street, and by 1938 this was extended to Snyder Avenue. Expansion then continued to the north, with the Fern Rock stop being added in the 1950s. Finally, in 1973 the line was extended again to the south to run to Pattison Avenue, completing the line that exists today.

    References:

    Categories
    Public Services

    Photographic Firsts


     

    Philadelphia is famous for many things, including its inventors. Perhaps most famous of these is Ben Franklin. However, another Philadelphia inventor, Joseph Saxton, was responsible for creating one of the first photographs made in America. That photograph was taken in 1839 from the United States Mint (pictured above), where Saxton worked. In it he captured Central High School and a portion of the State Arsenal.

    In 1839, photography was in its infancy. The first practical form of photography, the Daguerreotype, had been introduced to the world on January 7 of that same year. Created by Louis Jacques Mandé Daguerre, the Daguerreotype photograph was made when a copper plate coated with silver iodide was exposed to light. The silver iodide darkened when exposed to the light, forming an image after the photograph was developed in mercury vapors.

    Saxton made his photograph following Daguerre’s published instructions that October. He built a camera using a cigar box and a glass lens, and heated the mercury to develop the picture in an iron spoon. A Pennsylvania Historical and Museum Commission marker at Juniper and Chestnut Streets stands at the location at which the photograph was taken. The daguerreotype itself is in the possession of the Historical Society of Pennsylvania.

    The Daguerreotype, however was a direct positive image. The image it produced was similar to the reflection a person would see when looking into a mirror. Because photography was still in its experimental stages at the time, many other methods for producing photographic images followed the introduction of Daguerre’s process. Most notably was the invention of a negative-positive process for making photographs which was first patented by William Talbot in 1841. This invention led to other negative-positive processes which created the glass plate negatives, lantern slides, and film negatives which were used by the City of Philadelphia to make the photographs that are digitized and displayed on PhillyHistory today.

    References:

    Categories
    Entertainment

    There Used to Be a Ballpark Here


     

    It is hard to envision the corner of Broad and Lehigh in North Philadelphia as the site of the first ‘modern’ baseball stadium in America. Yet, before there was Citizens Bank Park, or the Vet, or Connie Mack Stadium, which was originally know as Shibe Park, National League Park was the destination of choice for Philadelphia’s baseball fanatics.

    The park was erected in 1887. After a fire destroyed most of the stadium in 1894, team ownership rebuilt the stadium using steel, brick and concrete. The choice of building materials was intended to prevent future fires, but they also allowed architects to push the boundaries of stadium construction. Then, as today, sports stadiums were places where cities could show progress and modernity. The rebuilt park cost more than $80,000, seated 18,000 people and became the first to include an upper deck supported by cantilevers. The cantilevers made headlines because they removed the need for the unsightly support columns that obstructed the views of fans sitting in the stadium’s lower level. Small field dimensions also distinguished the stadium and garnered it the nicknames “The Cigar Box” and “The Band Box”. In right field a 40 foot wall stretched skyward and helped turn sure home runs into singles or doubles. The wall eventually climbed to 60 feet and became prime advertising space. A hump in center field covering a partially submerged railroad tunnel led many to give the stadium another nickname, “The Hump”. After William F. Baker purchased the Phillies, the stadium acquired its most endearing moniker, “The Baker Bowl”.


     

    Unfortunately for Phillies fans, the new ownership did not help the perennially poor performance of the team. In the 51 years that the team called the Baker Bowl home (1887-1938) it won only one pennant (1915) and consistently finished at or near the bottom of the league standings. Even the presence of future baseball hall-of-famers Chuck Klein and Grover Cleveland Alexander could not raise the team above mediocrity. Putting a poor product on the field resulted in poor attendance and diminished profits. To compensate, ownership began using the stadium for purposes other than baseball. A cycling ring was installed in an attempt to capitalize on the cycling craze of the early twentieth century. During the 1910s and 1920s local police and fireman’s organizations rented the ballpark for large events. They held rodeos and parades there. The accompanying photos depict a few of the Philadelphia Police Department’s annual reviews, which featured marching bands and military-style processions.

    Despite the performance of the hometown team, the Baker Bowl left Philadelphians with many lasting memories. In 1915 Woodrow Wilson sat in the stands of the park, becoming the first president to attend a World Series game. In 1935 Babe Ruth made his last professional appearance there when he withdrew from a game at the stadium. And, Negro League World Series games were played at the park from 1924-1926. Even the fledgling Philadelphia Eagles franchise played there for time during the 1930s.


     

    The Phillies left the Baker Bowl for nearby Shibe Park in the middle of the 1938 season. Years of low attendance and flagging profits had taken their toll on the park and left it in disrepair. Between 1938 and 1950 the stadium, for the most part, remained vacant. Long gone were the days when reporters from across the nation marveled at stadium’s grand design elements and fans jammed the grandstands. During the 1940s a fire gutted much of the park and ensured that it would never be renovated. In 1950, a wrecking bowl tore down the last remnants of the Baker Bowl. Today, a historical sign is the only marker that a ballpark once stood at Broad and Vine.

    References:

    Categories
    Entertainment

    The Snow Piled Six Feet High


     

    This year, local meteorologists are predicting a very snowy winter for Philadelphia. With such a forecast looming in the future, snow is probably the last thing that residents of this city want to think about. It is likely that Philadelphians did not want to think about the prospect of snow in 1914 either, especially as spring was nearing.

    However, March 2 and into the early morning of March 3, 1914, the snow was practically all people were talking about. On that night, a storm blew in from the Atlantic Coast, causing great troubles in New York and Camden. It did not spare Philadelphia from the problems of frozen precipitation either.

    In New York, winds of up to 72 miles per hour were reported to accompany the storm as it made its way through the region. By the end, it dropped only 7 inches of snow in the Philadelphia area, however combined with the wind and the snow remaining from a snowstorm the previous week, drifts of 6 to 10 feet in some areas occurred. These conditions shut down the city, cutting off communications with neighboring areas as well as the influx of food from nearby farms. The blizzard was particularly destructive across the river in Camden, where it was reported that:

    ‘fierce winds from the northwest whipped through the street, tearing off roofs, blowing down chimneys, sending signs clattering away into the darkness, and punishing pedestrians with cutting, stinging, particles of ice-laden snow. Electric lights were torn from their fastenings in all sections of the city. Poles gave way under the best of the winds and collapsed, falling into the street or upon the roofs and sides of houses. Twisted masses of live wires emitted sparks which set the poles blazing and the snake-like shattering imperiled the people struggling through the blinding storm.’ (“Winds Tear Off Roofs”, p. 1).

    The snow also caused problems for travelers. Several trains stalled on the way to Philadelphia from New York, not being able to plow through the snow drifts. The Philadelphia Inquirer told stories of people who had become stranded on the trains overnight, some not making it to Broad Street Station until 20 hours after they were expected. Travelers told of being hungry, cold, and tired while imprisoned on the train by snow and ice. One traveler in particular spoke of sending out an expedition to ask for food at a nearby farmhouse he and fellow train riders spotted through the windows of their car. He was quoted in the Inquirer:

    ‘We fought our way to it [the farmhouse], at times through drifts above our waist. I obtained the name of the kindly lady who opened the door for us, when we had finally swept her deeply-covered porch free.She had little enough in the house, but what she had she gave freely. She supplied us with bread, butter, bacon and a great steaming pot of tea. We carried these things back to the train, and mighty welcome they were. Many of the day coach passengers had not had a thing to eat since noon of the day before and they were half starved.’ (“Passengers Tell Stories of Snow-Bound Trains,” p.2)

    Philadelphia spent the next few days digging out from the storm. A 600 man team worked to clear the streets in the central business district by the morning of March 3. Life in the city was beginning to get back to normal at that point, with many of the trolley lines clear and running on schedule and churches and schools reopening.

    References:

    • “600 Men and 300 Teams Clearing City Streets.” The Philadelphia Inquirer. 3 March 1914. 3.
    • “Deserting City Storm Travels Off Into Ocean.” The Philadelphia Inquirer. 3 March 1914. 1.
    • “New York Isolated by New and Severe Blizzard.” The Philadelphia Inquirer. 2 March 1914. 1.
    • “Passengers Tell Stories of Snow-Bound Trains.” The Philadelphia Inquirer. 3 March 1914. 2.
    • “Traffic Tied Up Under Seven Inches of Snow-Houses Unroofed by Forty-three-Mile Gale-Worst Storm Since 1909.” The Philadelphia Inquirer. 3 March 1914. 1.
    • “Trains Arrive After 24-Hour Fight With Snow.” The Philadelphia Inquirer. 3 March 1914. 1.
    • “Winds Tear Off Roofs, Sections in Darkness, Trains Tied Up.” The Philadelphia Inquirer. 2 March 1914. 1.

    Categories
    Public Services

    Learning for the Real World


     

    Late in the 19th century and early in the 20th, child labor reformers were busy trying to devise a plan for keeping the nations children out of the factories and in the schools for as long as possible. However, the things they were doing to extend the amount of time a child spent in the school system failed to keep all children in school. They wondered why, until the idea was presented that perhaps the children continually left school early because they did not understand the value an education in traditional academic disciplines (writing, math, or foreign language, for example) would have in their everyday lives after they graduated. What good did learning French do for the child who, after all, would be spending his days constructing buildings? From this idea, school administrators devised a plan. Perhaps the way to keep children in school until their teenage years was to offer vocational education, or more classes that prepared students to be successful in the work they would actually face after finishing school.


     

    The idea of vocational, or industrial, education was introduced to Philadelphia by Murrel Dobbins, a member of the Board of Public Education. Soon after his introduction, an investigation was conducted in the city to discover what the most popular trades in the city were and to find a location for a new school. The Philadelphia Trades School then opened in 1906 in an abandoned elementary school at the corner of 12th and Locust Streets. The goal of the school was to create intelligent, skilled young men who were well prepared to enter the workforce upon their graduation.

    Originally the school offered 13 trades, ranging from sign painting to sheet metal working. However, due to a lack of enrollment, only seven were offered in the day school. The trades offered to students during the day included: carpentry, architectural drawing, mechanical drawing, electrical construction, pattern making, and printing. Students spent half of their time studying these trades in the shop. The other half was spent studying academic subjects such as English and Mathematics, however these too were taught with the trades in mind. In these courses, teachers attempted to relate the skills being learned to their application in the work of the various trades. In the third year, the students participated in an internship program, working at various locations throughout the city.


     

    Night classes were also offered by the school, and these became more popular than the daytime classes. The demand for the evening classes was so great that the city opened another school, the Northeast Manual Training School, to handle some of the overflow. Many other prospective students remained on a waiting list. In the evening school only the trades were taught. There were no classes for the academic subjects. However, the evening school did offer more trades than were taught during the day

    Eventually, the Trades School was abandoned as the workforce continued to change. The courses offered by the Philadelphia Trades School were replaced by mechanical arts courses in Central High School and others.

    References:

    • Ash, William C. “The Philadelphia Trade School.” Annals of the American Academy of Political Science 33(1), Industrial Education. (January, 1909) 85-88.
    • Cohen, Sol. “The Industrial Education Movement, 1906-1917.” American Quarterly. 20(1). (Spring, 1968) 95-110.
    • Neville, Charles E. “Origin and Development of the Public High School in Philadelphia.” The School Review. 35(5) (May, 1927) 363-375.
    • Edmunds, Franklin D. A Chronological List of the Public School Buildings of the City of Philadelphia, PA. Philadelphia: Board of Public Education, 1934.

    Categories
    Historic Sites

    A City of Firsts


     

    Philadelphia is a city of firsts. One area where this is exemplary is in the list of accomplishments for its churches. Philadelphia is home to Gloria Dei (Old Swedes’ Church), which is located at 916 Swanson St (Columbus and Christian) in South Philadelphia. The original church was founded as part of the New Sweden settlement on Tinicum Island in 1646. Later, the church was moved to its present location, and was consecrated on July 2, 1700. This early lineage makes Gloria Dei, the oldest church in Pennsylvania.

    Gloria Dei would have the distinction to several other firsts. Dr. Carl Magnus Wrangel was a minister there from 1759-1768. During this time he baptized approximately 20 Africans, which distinguishes Gloria Dei as one of the earliest multiracial churches.

    Gloria Dei also lays claim to the first Lutheran ordination in the nation. Justus Falckner, a theology student from Germany was ordained in 1703. Furthermore, this may have been the first Christian ordination on the continent, because prior ordinations were confirmed in Europe.

    The church has gone through a number of renovations and additions over the years, but in one of its earliest, a marble baptismal font added in 1731 is one of the oldest still being used. This is all the more impressive considering that the church was without a pastor from 1733-1737. It is surprising the church has lasted.

    Like the heart of Philadelphia which continues to change and grow, Gloria Dei stands as an example par excellence of this spirit. Even today, the church remains active, and is open for visitors.

    References:

    • Williams, Dr. Kim-Eric, “The Eight Old Swedes’ Churches of New Sweden.” (1999) The Swedish Colonial Society. http://www.colonialswedes.org/Churches/GloDei.html (accessed October 25, 2006).
    • Gloria Dei ‘Old Swedes’ Church. http://www.old-swedes.org/ (accessed October 25, 2006).

    Categories
    Public Services

    Natural Healing


     

    In its most recent past, the buildings of the Philadelphia State Hospital at Byberry, pictured here, were in a state of ruin. These ruins, combined with the less than desirable reputation the hospital had come to possess, attracted thrill seekers and urban explorers alike. It was rumored to have been the site of numerous activities ranging from satanic rituals to dance parties complete with DJs. However, all of this changed in 2004 when the site was sold to the Philadelphia Industrial Development Corporation, which intended to use the site for office buildings and housing for the elderly.

    The hospital’s history was not always so ill regarded, however. It began as Byberry Farm, built in the hometown of Benjamin Rush (1745-1813), who is considered the Father of American Psychiatry. Rush was an advocate of asylums for the mentally ill. He believed that, with proper treatment, they too could be cured of their illnesses. As such, Rush would probably have approved of the farm started in Byberry to treat those with mental problems. Byberry Farm was self-sustaining, as patients did much of the work needed to tend the crops grown there. At the time, gardening was believed to be a cure for “mild cases of lunacy.”

    Later, the facility was renamed the Philadelphia Hospital for Mental Diseases, although for a time this hospital outside of the city still operated as a work farm. Over time, more buildings were erected to try to solve overcrowding problems that would continually plague the institution. Expansion of the hospital continued into the 1940s. In the end, the hospital would consist of over 50 buildings. It became so large that it was described in a 1946 report to be “among mental institutions, a metropolis.”

    This metropolis continued to experience problems, however. In addition to overcrowding, the hospital was faced with personnel shortages and deteriorating buildings. There were also accusations of patient abuse, claiming that residents of the institution were not given clothing and were generally not allowed the attention they required. The situation became so bad that on October 15, 1938 the hospital was taken over by the Commonwealth of Pennsylvania, at which time it became known as the Philadelphia State Hospital. The site was in such a deteriorated state that it cost over $8 million to rehabilitate. However, the attempts at rehabilitation of the site and expansion to solve overcrowding problems could not overcome its history of mismanagement and patient abuse. In 1990 the hospital was closed permanently, destined to sit as a ruin and site for thrill seekers until its purchase and redevelopment 14 years later.

    References:

    • Pennsylvania State Archives, Department of Public Welfare. “A Pictoral Report on Mental Institutions in Pennsylvania.” 1947, pp. 4-9. Accessed online
    • Bostick, Jim. “Philadelphia Hospital for Mental Diseases, A Photo Series.” Gather (12 February 2006) http://www.gather.com/viewArticle.jsp?articleId=281474976729431 (accessed 12 October 2006).
    • Greenberg, Andy. “Byberry’s Long Goodbye.” Philadelphia City Paper. 16 March 2006.
    • Hall, Bolton. “Gardening as a Cure for Mental Breakdowns.” The Worlds Work…: A History of Our Time. Doubleday, Page and Company, 1900.
    • “Philadelphia State Hospital (Byberry)”. Opacity (2006). http://www.opacity.us/site10_philadelphia_state_hospital_byberry.htm (accessed 12 October 2006).
    • Wikipedia. “Benjamin Rush.” en.wikipedia.org/wiki/Benjamin_Rush (accessed 12 October 2006).

    Categories
    Urban Planning

    Driveway to the Arts


     

    Cutting diagonally across William Penn’s original grid-like plan for Philadelphia’s streets, the Benjamin Franklin Parkway is center city’s connection to recreation and cultural resources.

    When planners first entertained the idea of building a parkway through the city, this street was intended to be a direct and interesting link between City Hall and the Art Museum. It would be at the same time an enjoyable drive down a wide grass and tree lined street as well as a quick way to escape the congestion of the city. Drivers could use this road to take in the healthy fresh air of Fairmount Park (interestingly, the parkway is a part of the Fairmount Park system), to view art, or later to peruse the holdings of the Free Library.

    Originally, the parkway was expected to be lined with large civic buildings and centers of education, much like Paris’ Champs d’Elysee. Some even went so far as expecting to one day have new campuses for Temple University and the University of Pennsylvania lining this new thoroughfare. However, this did not happen.

    Construction began on the Parkway in 1917 following the plans of urban Planner Jacqués Gerber, who went on to become the chief architect and planner for the 1937 World Exposition in Paris. The parkway was completed in 1926.

    Eventually more impressive buildings were added to the path of recreation, education and culture created by the parkway. The Free Library opened its doors at its current location along it in 1927, followed by the Franklin Institute’s move from its location on 7th street (now home to the Atwater Kent Museum) to its current site on the parkway at 20th street in 1934.

    References: