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Praising Horticultural Hall in Fairmount Park

Horticultural Hall – Floral Hall – East End, September 15, 1875. Centennial Photographic Company (PhillyHistory.org/Free Library of Philadelphia.)

“In just under two years,” John Maass explained in The Glorious Enterprise, his book about the Centennial Exhibition in 1876, “architects Hermann J. Schwarzmann, assistant Hugo Kafka and five engineers transformed 285 acres of fields of West Fairmount Park, mostly “swamps and ravines, into building lots, gardens and landscaped grounds.” Schwarzmann’s team “moved over 500,000 cubic or yards of earth; graded and surface 3 miles of avenues and 17 miles of walks; build a railroad with 5 1/2 miles of double track; corrected 16 bridges; put up 3 miles of fence with 179 stiles and gates; constructed 7 miles of drains, 9 miles of water pipes, 16 fountains, and water works with a daily pumping capacity of 6 million gallons; laid 8 miles of gas pipes; installed three separate telegraph systems with underground cables; planted 153 acres of lawns and flowerbeds, and over 20,000 trees and shrubs. Every one of 249 large and small structures was completed; Schwarzmann had designed 34 of these himself, including the two permanent buildings,” Memorial Hall and Horticultural Hall.

“Horticultural Hall was the smallest of the Centennial’s five principal buildings, but it was the largest conservatory built up to that time, bigger than the famous hothouses in the Botanical Gardens of London and Paris. Schwarzmann begin to prepare plans on April 11, 1874… On June 11, 1874, the Committee on Grounds Plans and Buildings approved his plans. Construction began in December 1874, and the elaborate building was completed on April 1, 1876. The City of Philadelphia bore the cost of $367,073.47.”

Horticultural Hall, Interior, 1876. Centennial Photographic Company. (PhillyHistory.org - Free Library)
Horticultural Hall, Interior, 1876. Centennial Photographic Company. (PhillyHistory.org/Free Library of Philadelphia.)

According to Schwarzmann, “the design is in the Moresque style of architecture of the twelfth century, the principal materials externally being iron and glass. The length of the building is 383 feet, width 193 feet, and height to the top of the lantern 72 feet.”

“The east and west entrances are approached by flights of blue marble steps from terraces 80 by 20 feet, in the center of each of which stands and open kiosk 20 feet in diameter,” Maass tells us. “The angles of the main conservatory or adorned with eight ornamental fountains. The corridors which connect the conservatory with the surrounding rooms open fine vistas in every direction.”

“No such building and no such horticultural display had been seen in an International Exposition before.  The visitors passed under horseshoe arches of black, cream and red bricks to enter the grand hall, flooded with light and filled with tropical palms, trees and shrubs. Spectacular chandeliers glittered above and in the center played a marble fountain, designed in Rome by the American sculptress Margaret Foley.”

“Horticultural Hall won the praise of professionals and public, of Americans and Europeans alike. The international jury gave Schwarzmann and award for its architectural design.”

Horticultural Hall, Autochrome by Emil P. Albrecht,  ca. 1910.  (The Library Company of Philadelphia)

“The building was surrounded by flowerbeds and the trees grew up around it. Horticultural Hall was a fine sight in the moonlight, gleaming by its reflecting pool. The interior was magic: Victorian statuary nestled in the moist tropical foliage, the stillness only broken by the drip of water on the floor of patterned grill work. The Park Commission skimped on proper building maintenance; in 1911 its engineers reported that the iron, glass, brick and woodwork were all in a hazardous condition of disrepair, but Horticultural Hall was still standing 43 years later when it was slightly damaged by a hurricane.”

According to some accounts, Hurricane Hazel broke hundreds of glass panes. According to others, the number was only 29. In either case, Hazel’s impact was considered a “death blow” to the meant-to-be-permanent, once-treasured Horticultural Hall.

[Sources: “Hazel Death Death Blow to Horticultural Hall,” The Philadelphia Inquirer, October 22, 1954; John Maass, The Glorious Enterprise: The Centennial Exhibition of 1876 and H. J. Schwarzmann, Architect-in-Chief (American Life Foundation, 1973).]

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“The only large building in the world entirely devoted to telephone purposes”

Bell Telephone Building, 406-408 Market Street, 1972 (PhillyHistory.org)

Third and fourth floor of the Bell Telephone Building, 406-408 Market Street [1972] (PhillyHistory.org)
How did the thousands of Philadelphians wired for telephone service connect with one another? How would they talk with early adopters in other cities? Connectivity for the ever increasing numbers of subscribers was the ongoing challenge. As told recently in a post illustrated with the horse-drawn telephone parade float, Philadelphia’s telephone industry served less than 5,000 in 1895 but would balloon to more than 100,000 a dozen years later.

The American telephone industry needed investment and innovation. In 1901, the world’s total mileage of phone wire stood near five million. Just over a decade later the total stood at more than 29 million miles—half of the world’s total. Americans had poured more than one billion dollars into infrastructure, and it was paying off. By 1912, there were nearly 12.5 million telephones in the world; 67% were in American homes and businesses.

But none were useful without innovations that would enhance connectivity. That’s where Bell Telephone’s building 406-408 Market came in. After alterations by architect Addison Hutton in 1891, this purpose-built, four-story structure would accept 250 underground cables from the surrounding streets. “Believed to be the only large building in the world entirely devoted to telephone purposes,” 406-408 Market was expected “to meet every requirement of the present, and all the possibilities of the future.”

On the top, sun-lit fourth floor Bell installed a new Law switchboard, “the most wonderful of all of the many wonderful appliances for securing prompt and efficient service.” This 80-foot long “Law board” contained 2,500 mile of wire configured for 10,000 circuits allowing as many as 90 operators “to make any desired connection instantly.”

John F. Casey, an inventor from St. Louis, had patented this telephone system in December 1888. “The methods now in vogue,” read Casey’s discussion of his improvement, resulted in “great delay and embarrassment” when subscribers from different central offices want to speak with one another. A subscriber would call their central office and that office would connect with the second central office. Once connected, operators at both central offices would have to call and then reconnect the two subscribers before making the connection between them. Such bottlenecks wasted “a great deal of time” and were “very unsatisfactory.”

Casey’s invention required that central offices had permanent, open circuits with one another so that “both operators that make the connections in each office hear the call at the same time. This obviates the necessity of central office A first making connection with central office B, then calling up central office B and waiting until said central office B makes the connection.”

A Law Switchboard, ca. 1888 in Saint Louis Missouri. (Wikimedia.org)

“By my invention.” claimed Casey, conversations can take place “between subscribers connected with different central offices as expeditiously as between subscribers belonging to the same central office.”

But the success of America’s telephone industry’s would literally be in the hands of an army of efficient operators.

Want ads called for young women “of unquestionable character [with] 12th grade public school education” to apply in person. Fresh hires would “learn long distance telephone operating” at the Market Street facility while being paid. Graduates would be placed in telephone offices “convenient to home.” In 1912, the Bell Telephone bragged of its “enlarged operators’ school, second to none in the country in completeness… receiving more than 1100 students a year.”

With investment, invention, technology and training, American telephony had found its stride. But that didn’t stop company executives from looking for additional ways of to improve service, and the company’s bottom line.

“Courtesy Too Costly” read a New York Times headline in 1907, The Keystone Telephone Company’s top traffic manager in Philadelphia, A. J. Ulrich, insisted on dropping the word “please.” Ulrich had studied the situation and “found that patrons making calls and operators answering them” uttered the word “please” 900,000 times every day. He calculated that Keystone’s 450 “girl operators” and the subscribers they served wasted 7,500 minutes, or 125 hours, each and every day.

The Keystone Company banned use of the word “please.”

Not long after, AT&T attempted to dissuade its employees and customers from using the word “Hello.”

We know how that initiative on behalf of hyper-efficiency worked out.

[Sources: John F. Casey, A New Telephone System, U.S. Patent #394, 832, December 18, 1888. (PDF); Philadelphia and Popular Philadelphians, (Philadelphia, The North American, 1891); Want Ads, The Philadelphia Inquirer, October 8, 1905; “Courtesy Too Costly,” The New York Times, September 6, 1907; Telephone Statistics of the World (American Telephone and Telegraph Company, 1912);  “A Year in the Bell Telephone Plant Department” (Advertisement) The Philadelphia Inquirer, October 18, 1912.]

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Behind the Scenes Historic Sites Snapshots of History

Andrew Eastwick: Savior of Bartram’s Garden

 

Bartram’s Garden, 54th Street and Eastwick Terrace, as photographed by Widoop and Carollo, dated January 1, 1960.

Famed Bartram’s Garden, homestead of Philadelphia’s 18th century botanist John Bartram, is going through a renaissance today. The gardens are lushly planted and the main buildings restored.  The parking lot is full on warm summer Saturdays. New bike trails connect this pastoral sanctuary to Center City and University City.  The renovated barn offers programs for schoolchildren. After wandering through the botanical gardens–the nerve center of the Bartram family’s North American seed empire–visitors can rent kayaks and canoes at the river landing and paddle up and down the Schuylkill River. Picnickers relax under groves of old growth trees.  A wildflower-bedecked walking path flows down to the river’s edge.

The whole ensemble is gloriously incongruous: a pristine and beautifully-maintained vestige of Philadelphia’s colonial era, hemmed in by housing projects, oil tanks, and railroad trestles.  The shimmering glass-and-steel skyline of Center City looms in the distance, a dreamy reminder of the modern age.

What saved Bartram’s Gardens from destruction?  A larger and even grander mansion, built with the very proceeds of 19th century industry that gobbled up much of the surrounding riverbanks.  Andrew McCalla Eastwick (1806-1879) was a Philadelphia engineer credited with the invention of the steam shovel.  As a partner in the firm of Harrison, Winans, and Eastwick, he made a tremendous fortune building railroads for Czar Nicholas I of Russia.  In 1850, he purchased the 46-acre Bartram property from John Bartram’s granddaughter Ann Bartram Carr. Yet unlike many other rich men before and after him, he decided not to tear down the existing house on his property.  Rather, he left modest Bartram family homestead alone as a museum piece, and built his own mansion off to one side. According to one report, he vowed not to harm “one bush” on the Bartram family compound.

“Franklinia Altamaha,” as illustrated by William Bartram in 1762. Source: Wikipedia

Eastwick’s own house stood in stark contrast to the simple stone Quaker farmhouse lived in by three generations of Bartrams.  Bartram Hall, completed in 1851, was the first major commission of architect Samuel Sloan, who went on to design the houses on Woodland Terrace and the Institute of the Pennsylvania Hospital for Mental and Nervous Disease. Built the so-called Norman revival style, it cost $30,000 (over $2 million in modern currency), and rivaled the grand estates on New York’s Hudson River, boasting 34 rooms and surrounded by formal gardens.  Its four-story tower and crenelated roofline rose high above the flowering Franklinia trees so lovingly cultivated by John Bartram.  On warm summer nights, the rich industrialist’s family and houseguests could wander through the adjacent Bartram family homestead, kept just as America’s founding botanist knew it.

A rendering of Bartram Hall, as portrayed in Samuel Sloan’s “The Model Architect.”

Yet even a man as rich as Andrew Eastwick couldn’t stem the tide of industry on the Schuylkill River.  By the time of his death in 1879, his property was completely surrounded by factories, and the river befouled by pollution.   Yet the Eastwick heirs resolved that their family home would not succumb to the same fate as the rest of the lower Schuylkill valley. In 1890, they deeded both Bartram Hall and Bartram’s Gardens to the city of Philadelphia for use as a public park.  Sadly, only six years later, the grandiose and ponderous Bartram’s Hall caught fire and burned to the ground. Today, a pavilion sits on the site of the mansion.  It is a popular site for weddings.  A community garden serving Southwest Philadelphia flourishes nearby.

The original Bartram house and garden remain, a monument not just to America’s earliest botanist, but also to Andrew McCalla Eastwick, one of the founders of the American historic preservation movement.

Sources:

“Bartram Hall, The Andrew M. Eastwick House, Philadelphia PA,” Picturesque Italianate Architecture, July 18, 2016.  http://picturesqueitalianatearchitecture.blogspot.com/2016/07/bartram-hall-andrew-m-eastwick-house.html

Kenneth Hafertepe and James F. O’Gorman, eds. American Architects and Their Books, 1840-1915 (Amherst: University of Massachusetts Press, 2007), p.114.