{"id":7682,"date":"2014-05-28T07:18:29","date_gmt":"2014-05-28T11:18:29","guid":{"rendered":"https:\/\/phillyhistory.wpengine.com\/?p=7682"},"modified":"2014-05-28T23:32:28","modified_gmt":"2014-05-29T03:32:28","slug":"doctor-dear-doctor-echoes-from-the-mask-and-wig-club-part-iii","status":"publish","type":"post","link":"https:\/\/blog.phillyhistory.org\/index.php\/2014\/05\/doctor-dear-doctor-echoes-from-the-mask-and-wig-club-part-iii\/","title":{"rendered":"“Doctor, Dear Doctor!”: Echoes from the Mask and Wig Club, Part III"},"content":{"rendered":"
\"Broad<\/a>
The intersection of South Broad and Spruce Street, with part of the Shubert Theater (now the Merriam) on the left. It was built in 1918, and it has hosted performers such as Helen Hayes, Sammy Davis Jr., Katharine Hepburn, and John Barrymore.<\/figcaption><\/figure>\n

This is the final article in the series “Echoes from the Mask and Wig.”\u00a0<\/em>Click to read Part I <\/a>and Part II. <\/a>\u00a0<\/em><\/p>\n

Doctor, Dear Doctor!<\/em>\u00a0premiered at Philadelphia’s Shubert Theater in November 1951. Grandpa and his fellow scriptwriters apparently left Moliere’s original plot alone, as the gags about the dimwitted, dissolute woodchopper Sganarelle turned doctor proved just as funny then as they were during the “Grand Siecle.” \u00a0The show received a\u00a0glowing review<\/a>\u00a0from Henry T. Murdock in the\u00a0Philadelphia Inquirer\u00a0<\/em>on November 21: “This reviewer wasn’t around in 1889 when\u00a0Lurline<\/em>\u00a0launched the Wiggers’ history,” he wrote, “nor for a few years after that, but taking the standard of the last 25 years, few shows have been so attractively staged, so colorfully staged, or so swiftly danced as the current enterprise at the Shubert.”<\/p>\n

Glancing through the program book, I found a big surprise: among\u00a0those in the show’s cast are a senior named Sydney T. Fisher and a sophomore named Barry E. Knerr, both of whom I would one day sing with in the\u00a0Orpheus Club of Philadelphia<\/a>.<\/p>\n

\"Sydney<\/a>
The Glee Chorus of the 1951 Mask and Wig production “Doctor, Dear Doctor!” Sydney T. Fisher is fifth from the left. The Mask and Wig Club Archives.<\/figcaption><\/figure>\n
\"knerr<\/a>
Partial cast photo for “Doctor, Dear Doctor!” Barry E. Knerr is in the first on the right, top row. \u00a0The Mask and Wig Club Archives.<\/figcaption><\/figure>\n

That was the last year Grandpa contributed songs and his time as a rehearsal pianist to the Mask and Wig Club. \u00a0 Perhaps, by then, he had realized that, despite his prodigious musical talent, making it big in show business was not in the cards for him. \u00a0By then, his career as an insurance executive was taking up more and more of his time. Despite the fine reviews,\u00a0Doctor, Dear Doctor!<\/em>\u00a0was his last hurrah, and he knew it. \u00a0Within a few years, he had moved to New York, was widowed, married his second wife — my grandmother — and adopted her two small children — my uncle and mother. \u00a0He enthusiastically supported my mother’s studies as a classical violinist — the two of them spent many hours playing piano and violin sonatas in their Manhattan living room.<\/p>\n

Yet my guess is that despite the local success of\u00a0Doctor, Dear Doctor?<\/em>, Grandpa then realized that American musical theater was destined to be his pastime rather than his livelihood. \u00a0He continued to attend shows and remain active in the Graduate Club — my \u00a0New York-born grandmother said that back then, there was no where to eat in Philadelphia except Bookbinders (of course) — but it seems that he cut back on his musical contributions.<\/p>\n

Grandpa Joe died in 1989, aged 81. I was ten at the time.I now live in West Philadelphia, not far from where he grew up and only a few blocks from the University. \u00a0It is only now that I am asking questions that I wish my ten-year-old self could as he gleefully played the theme from “Peter and the Wolf” for my brother and me. \u00a0But for now, I must be content with these old images and what others remember of him, as well as the whoosh-clang of the Lancaster Avenue trolley that runs along the line that probably once took Granda Joe to college and a better life.<\/p>\n

It’s not just “Peter and the Wolf” that I associate with Grandpa, but a wistful Mask and Wig tune from the 1937 show\u00a0Fifty\/Fifty<\/em>\u00a0that for so long sat unplayed in my family’s record collection:\u00a0“I Live the Life I Love.<\/a>”<\/p>\n

\"The<\/a>
The program cover for “Doctor, Dear Doctor?” The Mask and Wig Club Archives.<\/figcaption><\/figure>\n
\"IMG_1246\"<\/a>
The author and Grandpa Joe at 310 S. Quince Street, before attending the 2014 annual production “Wishful Sinking.”<\/figcaption><\/figure>\n

\n","protected":false},"excerpt":{"rendered":"

This is the final article in the series “Echoes from the Mask and Wig.”\u00a0Click to read Part I and Part II. \u00a0 Doctor, Dear Doctor!\u00a0premiered at Philadelphia’s Shubert Theater in November 1951. Grandpa and his fellow scriptwriters apparently left Moliere’s original plot alone, as the gags about the dimwitted, dissolute woodchopper Sganarelle turned doctor proved […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7682","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/posts\/7682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/comments?post=7682"}],"version-history":[{"count":0,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/posts\/7682\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/media?parent=7682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/categories?post=7682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/tags?post=7682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}