{"id":3062,"date":"2012-09-11T07:36:59","date_gmt":"2012-09-11T11:36:59","guid":{"rendered":"https:\/\/phillyhistory.wpengine.com\/?p=3062"},"modified":"2014-05-01T17:23:39","modified_gmt":"2014-05-01T21:23:39","slug":"landmark-or-not-the-musical-fund-hall-is-a-site-of-conscience","status":"publish","type":"post","link":"https:\/\/blog.phillyhistory.org\/index.php\/2012\/09\/landmark-or-not-the-musical-fund-hall-is-a-site-of-conscience\/","title":{"rendered":"Landmark or Not: The Musical Fund Hall is a Site of Conscience"},"content":{"rendered":"<figure id=\"attachment_3066\" aria-describedby=\"caption-attachment-3066\" style=\"width: 480px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.phillyhistory.org\/PhotoArchive\/Detail.aspx?assetId=41772\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3066   \" alt=\"\" src=\"https:\/\/phillyhistory.wpengine.com\/wp-content\/uploads\/2012\/09\/Musical-Fund-Hall-2.jpg\" width=\"480\" height=\"598\" srcset=\"https:\/\/blog.phillyhistory.org\/wp-content\/uploads\/2012\/09\/Musical-Fund-Hall-2.jpg 600w, https:\/\/blog.phillyhistory.org\/wp-content\/uploads\/2012\/09\/Musical-Fund-Hall-2-240x300.jpg 240w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><figcaption id=\"caption-attachment-3066\" class=\"wp-caption-text\">The Musical Fund Hall, 808 Locust St. Designed in 1824 by William Strickland, renovated in 1847 by Napoleon LeBrun and again by Addison Hutton in 1891.<\/figcaption><\/figure>\n<p>Philadelphia\u2019s got a raft of National Historic Landmarks, the <em>cr\u00e8me de la cr\u00e8me<\/em> of historic sites. The list is long here: 65 in all, from Independence Hall to Eastern State Penitentiary to the John Coltrane House. And it would have been longer had the National Park Service let stand their original, 1974 ruling in favor of the Musical Fund Hall. But they\u00a0didn&#8217;t,\u00a0and it isn\u2019t. In 1989, shortly after developers converted the hall\u2019s auditorium into condominiums, the <a href=\"http:\/\/www.nps.gov\/nhl\/DOE_dedesignations\/Musical.htm\" target=\"_blank\">feds withdrew the coveted designation<\/a>. In America\u2019s most historic city, the Musical Fund Hall is the only site to hold such a dubious distinction.<\/p>\n<p>No matter. Violated or not, this building stands as a genuine American site of conscience, and that\u2019s something that can\u2019t be taken away. Sure, the building was home to one of <a href=\"http:\/\/books.google.com\/books?id=j4QfAAAAYAAJ&amp;dq=musical+fund+society&amp;source=gbs_navlinks_s\" target=\"_blank\">the nation\u2019s earliest musical organizations<\/a>\u00a0and the preferred performance venue of soloists including Jenny Lind (\u201cThe Swedish Nightingale\u201d), lecturers including Charles Dickens and political events including the first Republican National Convention. Maybe we\u2019ve been spoiled, jaded even: in a city chock full of the past, this seems like everyday history.\u00a0What makes us want to take a good, hard, <em>second<\/em> look at the Musical Fund Hall is an account revealed by Scott Gac in a book entitled <em><a href=\"http:\/\/books.google.com\/books?id=e0ugUr_204UC&amp;dq=scott+gac&amp;source=gbs_navlinks_s\" target=\"_blank\">Singing for Freedom: The Hutchinson Family Singers and the Nineteenth-Century Culture of Reform.<\/a><\/em><\/p>\n<p>The New Hampshire -based <a href=\"http:\/\/www.metmuseum.org\/toah\/works-of-art\/2005.100.77\" target=\"_blank\">Hutchinson Family<\/a> performed 12,000 concerts across the United States and abroad, effectively morphing abolitionism into popular culture. In their concerts, the Hutchinson\u2019s performed original and provocative songs, including <em>Get Off The Track<\/em>\u00a0of 1844 which warns: &#8220;Jump for your lives! Politicians, \/ From your dangerous false positions.&#8221; (Listen <a href=\"http:\/\/www.youtube.com\/watch?v=n8p5zucb13M\" target=\"_blank\">here<\/a>.) Wherever they went, the Hutchinsons attracted a large following, and an interracial one.<\/p>\n<p>Three years after their first popular performances in Philadelphia and a few months after their successful tour in England (with their friend Frederick Douglass) the Hutchinsons returned in the Spring of 1847. After several performances before \u201camalgamated\u201d audiences at the Musical Fund Hall, Philadelphia Mayor John Swift stepped in and demanded the singing stop. (This is the same Mayor Swift who was unable, or perhaps unwilling, to stop rioters who destroyed the Abolitionist&#8217;s new <a href=\"http:\/\/explorepahistory.com\/displayimage.php?imgId=1-2-3CE\" target=\"_blank\">Pennsylvania Hall<\/a> in 1838.) Swift assured Musical Fund Hall management that more shows would certainly result in rioting <em>there<\/em>, too. Starting immediately, the Hutchinsons (and all future lessees) had to agree to two conditions: \u201cThat no Anti-Slavery lecture shall be delivered\u201d and\u201d That no colored person may form a portion of any audience.\u201d<\/p>\n<p style=\"text-align: left;\">Silence followed. No riot. No performance. \u201cThe Hutchinson Family Singers refused to play for white patrons alone,\u201d writes Gac. Never again would America\u2019s original group of protest singers hear applause in the City of Brotherly Love. Never again would Philadelphians hear the Hutchinsons\u2019 sing:&#8221;Men of various\u00a0predilections,\u00a0\/ Frightened, run in all directions \/ Merchants, Editors, Physicians, \/ Lawyers, Priests and Politicians. \/ Get Out of the Way! Get Out of the Way! \/ Get Out of the Way! Every station \/\u00a0Clear the track of \u2018mancipation.<em>&#8220;<\/em><\/p>\n<p>But a dozen years before the Civil War and 15 years before Black and White together, fifteen years before the Emancipation Proclamation, Philadelphians <em>did<\/em> hear, and rejoice in these prophetic lines \u2013 at the Musical Fund Hall.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Philadelphia\u2019s got a raft of National Historic Landmarks, the cr\u00e8me de la cr\u00e8me of historic sites. The list is long here: 65 in all, from Independence Hall to Eastern State Penitentiary to the John Coltrane House. And it would have been longer had the National Park Service let stand their original, 1974 ruling in favor [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3062","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/posts\/3062","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/comments?post=3062"}],"version-history":[{"count":0,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/posts\/3062\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/media?parent=3062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/categories?post=3062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/tags?post=3062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}