{"id":14566,"date":"2023-01-18T15:37:43","date_gmt":"2023-01-18T20:37:43","guid":{"rendered":"https:\/\/blog.phillyhistory.org\/?p=14566"},"modified":"2023-01-18T16:03:26","modified_gmt":"2023-01-18T21:03:26","slug":"nazis-at-the-trans-lux","status":"publish","type":"post","link":"https:\/\/blog.phillyhistory.org\/index.php\/2023\/01\/nazis-at-the-trans-lux\/","title":{"rendered":"Nazis at the Trans-Lux"},"content":{"rendered":"\n

\u201dA brand new idea in motion picture theaters here was launched last night,\u201d boasted Inquirer <\/em>film critic Mildred Martin. In the depths of the Great Depression, this brand new \u201cintimate auditorium,\u201d an Art Deco confection called the Trans-Lux, promised to transform traditional movie goers into 20th-century citizen-spectators.<\/p>\n\n\n\n

Instead of screening Hollywood\u2019s latest feature films, the Trans-Lux offered newsreels and other short films in a \u201csmall but charming and modernistic house seating only 493.\u201d Relying on a counter-intuitive business plan that had recently proven itself in Manhattan, here was a distinct departure from gigantic, lavish movie palaces like the Boyd, the Stanley and the Mastbaum, with 2,500 seats, 2,916 seats and 4,700 seats, respectively.<\/p>\n\n\n

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Trans-Lux Theatre, 1519 Chestnut Street, January 13, 1935. (PhillyHistory.org )<\/figcaption><\/figure>\n<\/div>\n\n\n

Entering architect Thomas W. Lamb’s gleaming, streamlined design, patrons literally crossed the threshold of the latest media culture, participating in cutting-edge design, bleeding-edge technology, and up-to-the moment news.  <\/p>\n\n\n\n

\u201cThe new theater\u2019s architecture, decoration and mechanics are all entirely modern,\u201d wrote Martin. \u201cThere is no projection booth in the balcony. Everything \u2013 projectors, films, electric wiring, operator \u2013 is behind the screen. Special lighting effects flood the Trans-Lux Theatre with a soft glow which makes empty seats clearly visible. No tripping over legs in the gloom, no waiting for ushers, no hunting for lost hats, no worry about the safety of children because the theater is so well lighted.\u201d Amenities included \u201cattractive mezzanine lounge[s] with modernistic effects\u2026 telephone booths and other conveniences.\u201d<\/p>\n\n\n

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Detail<\/em>. Trans-Lux Theatre, 1519 Chestnut Street, January 13, 1935. (PhillyHistory.org)<\/figcaption><\/figure>\n<\/div>\n\n\n

\u201cSelected from the entire short subject output of all motion picture producers in America and foreign markets\u201d newsreels at the Trans-Lux quadrupled what was available at \u201cthe average feature picture house.\u201d Patrons viewed \u201ca wide variety of topics\u201d including \u201ccomedy, animal life, sports, cartoons, travelogues and novelty material of entertainment and educational value.\u201d And they were offered hard news.<\/p>\n\n\n\n

Beginning in 1935, this included newsreels under The March of Time brand, stories like the Dionne quintuplets, hobbies of Hollywood stars, and animated cartoons featuring Jack Frost and Popeye the Sailor. Regulars returned weekly for the latest adventure of Amelia Earhart, automobile racing accidents, and highlights bound for sporting history. And at the heart of every sixty-to-ninety-minute presentation was at least one newsreel of note.<\/p>\n\n\n

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Detail<\/em>. Trans-Lux Theatre, 1519 Chestnut Street, January 13, 1935. (PhillyHistory.org)<\/figcaption><\/figure>\n<\/div>\n\n\n

In November 1935, this would be a 7-minute, 50-second March of Time production entitled Palestine (East of the Suez)<\/em> that credited Adolph Hitler, “who has wrought upon Jews more evil than any man of his generation\u201d with a wave of immigration from Germany to the Middle East. <\/p>\n\n\n\n

\u201cFanned by the oratory of Hitler\u2019s minister of propaganda, [Joseph] Goebbels, anti-semitism has swept Germany,\u201d the narrator continued. \u201cAll books of Jewish authors are ordered burned in public squares. Authors, scientists, artists are driven from Germany. Bands of loud Nazi youth in storm trooper uniforms conduct terrorizing raids on Jewish citizens throughout the land, to the rest of the world\u2019s shocked amazement.\u201d Authentic film clips illustrated every line.<\/p>\n\n\n\n

\u201cThese are the final blows of a long persecution which has been forcing Jews out of Germany by tens of thousands,\u201d read the announcer. \u201cWorld attention and sympathy for such refugees as Dr. Albert Einstein welcomed in America, has obscured the plight from Germany of some 80,000 German Jews to all parts of the world \u2026 6000 to America, 23,000 to Palestine. . . . a new Palestine and the land of promise.\u201d<\/p>\n\n\n\n

In Ohio, a board of motion picture censors deemed some segments \u201cirrelevant\u201d and \u201canti-Nazi.\u201d E. L. Bowsher, the state’s chief censor, forced theaters \u201cto cut 150 feet of film\u201d from each copy of the newsreel.<\/p>\n\n\n\n

No censorship was reported at Philadelphia\u2019s Trans-Lux, which was about to complete its first year. At that anniversary, Trans-Lux manager William Matteson praised \u201cPhiladelphia\u2019s interest in a theatre devoted exclusively to newsreels and short subjects” adding “we are happy to state that our experiment has proved entirely successful.\u201d <\/p>\n\n\n\n

Before long, Trans-Lux chain was operating in a dozen cities.<\/p>\n\n\n\n

In 1938, when The March of Time produced a16-minute news feature entitled Inside Nazi Germany<\/em>, criticism came from all sides. According to film studies historian Joseph Clark, Inside Nazi Germany<\/em> “was denounced as both pro-Nazi and anti-German propaganda.” The Warner Brothers chain of theatres refused to screen it. At the Trans-Lux Theatre in New York\u2019s Time Square, according to Clark, \u201cthere were a few \u2018Heils\u2019 for Hitler and an opposing and equivalent number of \u2018Pfui,\u2019\u201d and some fist-waving audience members had to be separated.\u201d But Inside Nazi Germany <\/em>was not censored there Quite the opposite. Trans-Lux executives introduced the newsreel on the night of January 20, 1938 with the following projected on the screen:<\/p>\n\n\n\n

“NOTICE. The issue of March of Time you are about to see has caused much controversy. Our policy is to fearlessly present any worthy film released by a recognized American producer. We therefore present uncensored and impartially the following subject.”<\/p>\n\n\n\n

Fifty-five years later, The Library of Congress designated Inside Nazi Germany<\/em>\u00a0as “culturally significant” and added it to the United States\u00a0National Film Registry for preservation in perpetuity. The newsreel also survives online<\/a>. But Philadelphia’s Trans-Lux theatre does not. In the 1950s it became a first run theater. In the 1970s its distinctive vintage fa\u00e7ade was replaced. <\/p>\n\n\n\n

Today, the building is a sneaker emporium.<\/p>\n\n\n

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1519-1521 Chestnut Street, October 29, 1934. (PhillyHistory.org)
Demolition of the Samuel T., Freeman & Co. auction rooms
to make way for the Trans-Lux Theatre. <\/figcaption><\/figure>\n<\/div>\n\n\n

[Sources: In The<\/em> Philadelphia Inquirer<\/em>: \u201cChestnut St. Site Leased at $500,000 for New Movie.\u201d Aug 31, 1934; \u201cTrans-Lux Theatre Opens Tomorrow,\u201d December 30, 1934;  Mildred Martin, Trans-Lux theater has its inaugural, December 31, 1934; \u201cFilm Censors Ban Anti-Nazi Scenes,\u201d October 27, 1935; Trans-Lux, \u201cMarch of Time\u201d [advertisement], November 3 1935; \u201cTrans-Lux Year Old,\u201d December 31, 1935.<\/p>\n\n\n\n

The March of Time Newsreels [Synopses]. February 1935 \u2013 August 1951. PDF<\/a>; \u201cDeletion of film brings protest,\u201d Evening Star<\/em>, Washington D.C. October 27, 1935; March of Time,<\/em> Volume 1, Episode 7, \u201cPalestine (East of the Suez)\u201d [1935]. Transcript<\/a>.<\/p>\n\n\n\n

Joseph Clark, News Parade: The American Newsreel and the World As Spectacle<\/em> (University of Minnesota Press, 2020); Raymond Fielding, \u201cMirror of Discontent: The March of Time and Its Politically Controversial Film Issues,\u201d The Western Political Quarterly<\/em> , March., 1959, Vol. 12, No. 1, Part 1; URL<\/a>; Irvin R. Glazer, Philadelphia Theatres, A\u2011Z: A Comprehensive, Descriptive Record of 813 Theatres Constructed Since 1724<\/em> (New York: Greenwood Press, 1986)].<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201dA brand new idea in motion picture theaters here was launched last night,\u201d boasted Inquirer film critic Mildred Martin. In the depths of the Great Depression, this brand new \u201cintimate auditorium,\u201d an Art Deco confection called the Trans-Lux, promised to transform traditional movie goers into 20th-century citizen-spectators. Instead of screening Hollywood\u2019s latest feature films, the […]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14566","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/posts\/14566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/comments?post=14566"}],"version-history":[{"count":0,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/posts\/14566\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/media?parent=14566"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/categories?post=14566"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.phillyhistory.org\/index.php\/wp-json\/wp\/v2\/tags?post=14566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}